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Introduction. Salinity gradient energy (SGE) originates predominantly in estuaries, where freshwater rivers meet seawater. The energy available from the mixing of these solutions results from the difference in concentration between them. While oceanic waters typically maintain similar salt concentrations, those confined within semi-enclosed basins exhibit variations influenced by the prevailing co

Performance featuring spherical amplification.ArteScienzaMUSA Museo degli Strumenti Musicali, Rome (IT)Opificio Sonoro20/07/2025From the program “¡SCODANIBBIO!”:Scodanibbio, Stefano (1956-2012, IT) – Dos Abismos (for classical guitar) [1992]

Performance featuring spherical amplification.Wie du warst! Wie du bist!Bernhard Theater, Opernhaus Zurich, Zurich (CH)20/09/2025Steen-Andersen, Simon (*1976, DK) — Wie du warst! Wie du bist! (Music theater) [2025] WP

Performance featuring spherical amplification.#2 aufbrechen (quatre scènes)Brunnenhof Studio 1, Zurich (CH)Collegium Novum Zurich30/10/2025From the program:Iannotta, Clara (*1983, IT) – a stir among the stars, a making way (for large ensemble) [2019-20]

This thesis clarifies and highlights how selected parts of Swedish law in the field of health care relate to different ways of understanding events that have caused or could have caused patient injury: a systems perspective and an individual perspective, respectively. It thus examines how the law and its application relate to conflicts between supporting openness and learning based on a systems pe

Performance featuring spherical amplification.Elbphilharmonie VisionsElbphilharmonie, Hamburg (DE)NDR Radiophilharmonie14/02/2025From the program:Iannotta, Clara (*1983, IT) – Moult (for orchestra) [2018-19]

Performance featuring spherical amplification.Ensemble PHACE Series 2024/25 #3 – LightnessBerio-saal, Wiener Konzerthaus, Wien (AT)Ensemble Phace11/03/2025From the program:Cheng, Huihui (*1985, CN) – Sonic Leak (for e-guitar, sax, percussion and piano) [2020]

Performance featuring spherical amplification.ManiFesteCentquatre, Paris (FR)Ensemble Musikfabrik12/06/2025Program:Poppe, Enno (*1969, DE) – Prozession (for large ensemble) [2015/2020]

This volume shows that waste, in both how it is produced and how it is construed, can serve as a revelatory lens through which the social world itself may be critically re-examined and assessed. Drawing on related interdisciplinary interests for waste, it presents contributions that address the thematic concerns of materiality, society, economy, and temporality. The aim is to offer an introduction

Performance featuring spherical amplification.Zyklus #1 “LOOM”Berio Saal, Wiener Konzerthaus, Wien (AT)Ensemble PHACE 18/11/2025From the program:Kishino, Malika (*1971) – Sensitive Chaos (for 7 instruments) [2010]Kaleli, Emre Sihan – Adjacent Rooms, a Part of a Labyrinth (for ensemble) [2025]

Performance featuring spherical amplification.Perfect contradictionReaktor, Wien (AT)Ensemble PHACE16/12/2025From the program:Cheng, Huihui (*1985, CN) – Sonic Leak (for e-guitar, sax, percussion and piano) [2020]Ivicevic, Mirela (*1980) — Lil (for e-guitar, saxophone, cello and electronics) [2022]

Performance featuring spherical amplification.Don Bosco, Basel (CH)Musik-Akademie Alumni Ensemble22/06/2025From the program:Geha, Katia (*2002, AU/LB) — I know what I have done (for solo viola and ensemble) [2025] WPKatzman, Ron (*2000) — Work (for ensemble) [2025] WP

Performance featuring spherical amplification.Musikfabrik im WDR 93WDR Funkhaus, Cologne (DE)Ensemble Musikfabrik12/07/2025From the program:Kilger, Lucia — cyrcyre #2 (for ensemble and electronics) [2022]

Performances featuring spherical amplification.SIGNAL +Kunstraum Walcheturm, Zurich (CH)kHaus, Basel (CH)w/Duo Signal13 + 14/09/2025From the program:Fernández Ezquerra, Nuño (*1992, ES) — An Atlas of the Infinite (part I) (for voice, saxophone, trombone, cello, e-guitar and electronics) [2025]

Introduktion Fankulturer har länge fungerat som frizoner där människor kan möta likasinnade och fly från både världsliga problem och samhällets normer och fördomar. Ett av de största fenomenen inom dessa digitala kulturer idag är cosplay – en performativ praktik där fans av olika medier, såsom anime, tv-spel eller serier, klär ut sig till och tolkar sina favoritkaraktärer. Cosplay är idag ett globThe primary purpose of this bachelor’s thesis is to investigate how queer cosplayers use cosplay, and if it relates to their queer identity. The main perspectives discuss how the queer cosplayers interpret characters, play with gender expressions and if their queer identity is mirrored in their cosplay. The media sources chosen for the study are mainly anime, manga and anime-esque RPG games becaus

This study researches how consumers respond to knowing an ad is AI-generated, and which motives underlie these responses. To achieve this the study gathers data through interviews combined with a discourse analysis of online threads discussing different AI ads. The analysis, which is done through the lens of Raymond Williams’s concept of structures of feeling, shows that many consumers treat AI-ge

Today there is an increased interest in achieving a greater understanding of coastal dynamics as well as ways to determine the provenance of these coastal sediments. Here it is investigated whether the relatively new method of utilising optically stimulated luminescence (OSL), proposed by Gray et al. (2019), is a viable method on Scanian coastal sediments, as the bedrock is highly diverse in compa

This thesis evaluates the implementation of two extraordinary measures in Sweden to combat organized crime: the Racketeer Influenced and Corrupt Organizations Act (RICO) and the designation of gangs as terrorist organizations. The thesis is motivated by the developments and evolutions in gang- and organized crime-related violence and the desire to identify viable solutions to combat it. Such devel